Today’s guest post is from Kate Murray, a Digital Projects Coordinator in the Digital Collections and Services Division at the Library of Congress. Digital information drives our economy, spurs our culture, and connects our community. But it requires special care to ensure that our expanding archives of digital information will be there for the future. […]
Scholars at the University of California need effective solutions to preserve their research data. This is essential for complying with funder mandates, publication requirements, policies,…
Colleagues ask me what an unconference is. I say it’s playing it by ear. You come along without an agenda and see what sparks everyone’s interest on the day. I’m really excited that we’re trialling an unconference at IDCC, particularly on the last day. People are always so buzzing with ideas and inspired by Cliff Lynch’s insightful synopsis, that it’s often hard to get them out the door! This year you can bring all that enthusiasm back and focus on the key ideas to emerge.
There are lots of different types of interactive sessions that can take place:
- Group discussions
- Learn about / how to
- Fishbowl dialogues
- Show and tell
- Knowledge café
Whether you have a task you want to work on with others, a fresh idea or solution you want to demo, or topics you want to discuss to learn from others’ experience, the unconference provides a space for you to achieve all of this. Just pitch an idea, gather like-minded souls and get cracking.
Three of us have thrown our hat in the ring to act as compares for the day: me, Peter Neish of Melbourne Uni and Adam Bell of AARNet. We don’t have a grand plan and certainly don’t have all the ideas and answers. We’re just there to help steer things along. All of you fresh recruits are what will make this happen.
As it stands there is very little structure for the day. We’ll begin standing in the plenary room – don’t get comfortable and start checking email… You need to listen up, divide into groups and start interacting! We’ll invite some pitches from people who volunteer ideas and then all vote with our feet. We’ve scheduled three parallel slots but can have more or less as the mood takes us. There are no rules.
The day will be very free-form. Tea/coffee and light bites will be available all day long. There are nominal slots for breaks and lunch but you can pause when suits. We’ll periodically pitch new ideas in the plenary room but these will also be recorded online so you can join any group at any point.
Ideas for the unconference can be put forward at any time. You can respond to this blog with a comment, add details on the inspiration boards that will be available during IDCC, or pitch ideas in the etherpad
I’m interested in comparing findings from all the new FAIR reports. There have been several studies in recent years that either investigate practice in different disciplines, make recommendations on what needs to change, or release statement of commitment to change the status quo.
- How similar are the findings and recommendations across these studies?
- Are there significant differences in practice/needs across disciplines & countries?
- What can we learn from the advancements that different groups have made?
- What are the biggest challenges that need international collaboration?
The Australasian digital preservation community are keen to explore how communities of practice can support the sharing of digital preservation knowledge and skills. Lessons could perhaps be learned from the excellent Data Curation Network in the USA or the Community of Practice which is emerging from a set of European projects and the Research Data Alliance skills group.
Undoubtedly you will also have pet projects that you want to collaborate on, cool tools to show, or things you want to teach others. Get your thinking caps on and bring what you need to the unconference. We look forward to seeing you there!
Image CC-BY: Unconference by JD Lasica
Law and government are major areas of web archiving at the Library of Congress, and feature prominently among the event and thematic collections available on loc.gov. The Law Library, which holds the largest collection of legal materials in the world, also coordinates the collection of Law websites through five significant collections: the Federal Courts Web […]
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Today, 30th November 2017, is the first International Digital Preservation Day. This is coordinated by the Digital Preservation Coalition, an organisation we’re proud to be a member of. As part of the day’s activity the DPC has released the BitList, a list of endangered digital species loosely modelled as a concept on the IUCN’s Red List. In this short blog post I highlight some of the items on the list of particular interest to the DCC community.
Like the Red List, the Bit List classifies materials at different levels, from lower risk through concern to critically endangered and practically extinct. At one level everything on the list is of concern to research; almost any type of digital content, from teletext to videogames, has the potential for research to be carried out on it. But some are particularly close to home for those concerned with the curation of digital research material. Two items on the critically-endangered list stand out. The first is unpublished research outputs, which includes research data that hasn’t been placed in a repository, research software, and community resources like fishbase.org that may face sustainability rather than technical challenges to their longevity. Another item on the critically-endangered list that’s of undoubted research interest is what’s described as ‘media art’, encompassing a variety of digital and interactive art forms with a significant degree of technological dependency. The fragility of some forms of art isn’t something that’s exclusive to the digital domain but it is one which acquires an increasing degree of urgency when art is dependent on sometimes obscure formats, hardware and software, and the loss of such art will leave a significant gap for art historians of the future.
Also on the critical list and of unquestionable research interest is gaming, virtual worlds and related forms. These have been a significant cultural form for well over a decade; measured by consumer spend alone they exceed the cultural significance of the film industry, which itself is increasingly derivative of the gaming world. The problems of preservation they pose aren’t purely technical, but also include challenges relating to intellectual property rights and their absence from the collecting mandates of most cultural heritage institutions.
Moving up to the next level of endangerment – those which are merely endangered – we encounter many more classes of material of concern to research. Published research outputs, including electronic journals, are on this list and work by our colleagues on the Keepers Registry makes clear why they should be. This is an area where it is all too easy to be complacent. But every other item on the endangered list will worry researchers. It includes corporate records, digital legal records, master radio recordings, many forms of digital music and born-digital records from local government and smaller government agencies, where the infrastructure and mandate which deals with the products of national government are often absent.
There’s much more to read about in this first edition of the Bit List. As with the IUCN, the DPC intends to update the list periodically both to celebrate those areas where attention has resulted in positive changes to risk and to highlight those digital ‘species’ which are newly endangered. Read the list both to see what action you might take to improve the chances of survival of some of those on it, and to see if you are aware of other types of digital content at risk that we should add in future years.