Note to our readers: The Stanford Digital Repository team is reviving our popular blog series in order to highlight some of the terrific content deposited by our community on a regular basis. Be on the lookout for monthly posts!
When Biology student Julia Grace Mason requested a DOI from the SDR team for her recent dataset deposit, I was pleased to see continued uptake of our DOI service launched earlier this year with Stanford Libraries’ new membership to DataCite. This service is of growing importance to Stanford’s publishing researchers! While preparing the metadata for the DOI, I had the opportunity to check out what her research is all about. If you are interested in sharks, Peru, ecology, and qualitative-quantitative hybrid research methods, you will agree this work is impressive!
On July 17-18, the Stanford Media Preservation Lab team welcomed a small group of media preservation professionals from around the region and across the country to our home on the Stanford Redwood City campus for two days of “unconferencing”. While Stanford has been a leader in media preservation among academic libraries for over a decade, this was our first time hosting a community-oriented event with the goal of advancing our collective work: to ensure ongoing, long-term access to audiovisual recordings of all kinds in the interest of scholarly research, artistic continuity, and the public good.
The Stanford Media Preservation Lab (SMPL) team was thrilled to host Evita Feldentāle and Lelde Neimane, our partners in the Museum of the Occupation of Latvia audiovisual archive project, on May 31 at SMPL’s facilities in Redwood City. Lelde is the archive curator and oral historian, while Evita is responsible for developing detailed descriptions, including English abstracts, for each of the 4,000 recorded oral histories in the archive. Through a multi-year project between the Museum and Stanford Libraries, this unique collection has been digitized for preservation and access at Stanford. All of the project work has been done in a distributed fashion between our respective locations plus the digitization vendor’s facility, so it is a genuine treat to meet together as a team!
April 10, 2018
by Hannah Frost
Stanford Digital Repository
Stanford Libraries staff will be leading an upcoming webinar on the advanced uses of the Bulk Extractor forensics tool titled “bulk_extractor: Beyond the Basics”. This is part of an ongoing series of webinars designed to dig a little deeper into the advanced functionality of the BitCurator software environment. These webinars are hosted by the BitCurator Consortium, of which Stanford is a charter member.
The producers of Riverwalk Jazz, the popular public radio program dedicated to presenting, preserving and promoting classic jazz, recently issued their highly-acclaimed live production of “Porgy and Bess: A Jazz Transcription” on CD. The original program masters, recorded in 1992 on analog quarter-inch tape, were paged from the Riverwalk Jazz collection held by the Archive of Recorded Sound and digitized at the Stanford Media Preservation Lab for the release.
The Stanford Digital Repository (SDR) PURL pages have a new look and loads of new compelling functionality. In many respects, the PURL page is the crux of it all: providing a persistent, citable, online location for digital resources archived in the the library’s preservation repository. It makes good sense to supplement the PURL’s utility with the same look and interactive features we see in SearchWorks. If you deposit content to the SDR, use content in the SDR, or help users of our digital collections as part of your SUL job responsibilities, you will want to read on!
Use of the Stanford Digital Repository for archiving student honors theses continues to grow. At the end of the spring 2015 quarter, a total of 141 new items were deposited by students in 10 collections. Over the summer, these items were systematically…